![]() ![]() He severed the lower horn below the control knobs and made a “V” shaped cut right straight to the center. ![]() Sometime after the release of the band’s debut album Van Halen in 1978, Eddie completely changed the appearance of his Ibanez Destroyer.įirstly, he apparently took a chainsaw to the body and made some cuts. The body and headstock are white, and we see Stratocaster-style knobs. Eddie’s Ibanez Destroyer after the first round of mods. This is important because it is assumed that the guitar was in this exact condition when Eddie used in on Van Halen’s debut album. It’s also worth pointing out that both pickups at this time seem to be the original Super 70. But, based on Chris Gill’s research, the Frankenstrat was first seen with this finish on July 15, 1977.Īlso, there’s a pretty well-established history behind the Frankstrat guitar, so this whole story that Eddie told about painting the two guitars at the same time makes very little sense.īut, aside from painting the Destroyer white, it’s also worth noting that he replaced the original control knobs with white ones, originating from a Stratocaster. It sounds like he’s talking about the Frankenstrat because that was the guitar that had a black and white finish. Eddie Van Halen Shares the Guitars Behind His Quest for ToneĪs noted in the quote above, Eddie painted the Destroyer at the same time that he painted another guitar. After I finished painting that guitar, I figured that I might as well paint the Destroyer too. It was the same time that I painted my black-and-white guitar. When I first got the Destroyer, I painted it white. As far as when this happened, it was probably sometime in early 1976, since Eddie was first seen with the white Destroyer at the Starwood Nightclub gig on May 13, 1976. In addition to protecting your new JS, the gig bag allows you to carry it with ease, confident it won't get dinged.Shortly after Eddie bought the guitar, he decided to paint it white. Then, as you climb the neck, the fingerboard's curvature gradually flattens out (16 inch radius at the 12th fret) perfect for effortless warp-speed shredding and the widest string bends known to man. The fingerboard radius is roundest (12 inch radius at the 1st fret) near the nut, perfect for fretting crushing chords and deadly riffs. Puts each and every JS model headstock and shoulders above the competition in terms of shredability. This stunning feature is 100 percent unique to Jackson and … read more String-through-body design means maximum sustain and resonance. Not only do Jackson's play better, they look better too.įixed Adjustable Bridge with String-Through Body DesignĪdjustable bridge ensures that optimal action and perfect intonation are easily set - with no need for annoying special tools you can never find when you need them. This instantly recognizable feature makes our guitars stand-out from the crowd. These bad boys also clean up nicely when rolled back, which isn't always true of high-output pickups. Painstakingly voiced for full, rich tone while providing maximum overdrive and sustain. When combined with our compound radius fingerboard, this feature ensure effortless string bending and super fast, shredding all the way up to the 24th fret. Superbly finished and easily accessible on all models. This great Rhoads electric guitar is swift, sleek and deadly - the ultimate shredding machine at a price that won't break the bank. With two high-output Jackson CVR2 humbucking pickups, string-through body design and JT390 adjustable bridge. ![]() The sleek, offset-V Jackson JS32T Rhoads Electric Guitar is the legendary heart from which the Jackson Bloodline is pumped. ![]()
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